Shining a Light on the Beauty of Paper and Art

Published:
12 Jul 2024
James Cropper global packaging lead Tricia Hartmann describes how disruptive packaging design became a work of art...

A true innovation, the ‘second skin’ casing offers a packaging solution nine times lighter than the previous box and as such, enabled Maison Ruinart to reduce its carbon footprint by 60%, compared to the generation of Ruinart boxes being used at the time.

Maison Ruinart invited paper designer Anne-Charlotte Saliba to demonstrate her artistic craftmanship, as part of the Ruinart Studio upcycling art project.

Like a second skin made of paper, the champagne case follows the lines of the Ruinart bottle’s emblematic curves and allows the integrity of the Maison Ruinart flavour to be preserved until tasting. The raw and sophisticated texture was inspired by the walls of Crayères, the Maison’s historic chalk-pit cellars in Reims.

“ Following two years of research and design, our work with Pusterla 1880 was made a reality when we created the first eco-responsible packaging for champagne brand Maison Ruinart using our Moulded Fibre innovation. ”
TRICIA HARTMANN
GLOBAL PACKAGING LEAD, JAMES CROPPER

The ultra-light case is a mono-material design with genuine sustainability credentials, crafted from responsibly sourced natural wood fibres. Revolutionising the gift-box and cases market, the eco-designed packaging uses zero plastic and is 100% recyclable.

Inspired by the wide exploratory field offered by paper and how it plays with light, the French designer meticulously worked to sculpt the second skin case and sublimate it.

First drawing scalloped shapes on the paper case, Anne-Charlotte then cut them out and finally assembled the pieces one by one by sewing.

Her creativity and vision saw the case upcycled and transformed into a beautifully crafted night-light. Now known as the ‘third skin’, this piece of artistry has given our game-changing packaging creation a new lifetime use.

The paper material Anne-Charlotte uses comes from sustainable forests, testifying of an eco-design desire, that echoes the environmental challenges that drive Maison Ruinart on a daily basis, and ourselves here at James Cropper.

Anne-Charlotte is an artist who likes to work on material that already has a story by appropriating it and by bringing it back to its essence to tell something new and to give it a fresh look and utility, so the partnership on Maison Ruinart second skin with Anne-Charlotte’s artistic preferences was a perfect fit.

The ‘third skin’ by Anne-Charlotte is the first iteration that blends together creativity and sustainability and we’re delighted to be part of the story.

Moulded Fibre
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